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Home
I grew up in Bronxville, NY, where piano lessons I once dreaded became my sanctuary. When our home sold in 2010, the piano went last. Re-recording "Home" 14 years later felt cathartic, honoring those memories.
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Original compositions by Tony Wynne. Listen to the music and explore the stories and creative process behind each work.
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Plains
In a fast-paced world, the serene heartlands hold a quiet, magical beauty. "Plains," a 4-year labor of love, pays tribute to these landscapes, where resilience, love, and passion thrive amid city chaos.
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If I Never Love Again
I wrote "If I Never Love Again" in September 2017, then lost it through two moves. It resurfaced years later, demanding attention. It's about loving, losing, and knowing I'm lucky to have loved at all.
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Elegant Angel
A theme arrived on the day of my mother's burial and wouldn't leave. Early versions came out mournful, which wasn't her. Her photo above the piano guided me to the song she deserved.
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Mutterliebe (A Mother’s Love)
Mutterliebe grew from a true friendship between two sons, one American, one German, who met online and bonded over caring for their mothers. Two languages, two illnesses, one undeniable connection.
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Home (Original)
I hated every piano lesson in Bronxville, then fell in love with the instrument the moment nobody made me play. When our house sold in 2010, the piano stood alone in the empty rooms.
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Broken
"Broken" began as a mind map from a dark, lonely place, and I have a rule against re-recording those. This one earned an exception. Spanish guitar and Middle Eastern percussion turned it into a journey outward.
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Hear Now
After months of setbacks that tested my resolve, "Hear Now" finally arrives. It's a call to the powers that be, and to myself, to plant both feet down and take one moment at a time.
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New Year’s 17
A completely unplanned improvisation on "Auld Lang Syne," recorded in the quiet of late December 2016. Never released, never online. I found it in my archives and decided the festivities were worth sharing.
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Resolution
"Resolution" is my first recording after nearly five years of silence. It came from a mind map, leans back toward my classical roots, and gives the melody to the violin, my favorite instrument I can't play.
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